80s hip hop love songs12/19/2023 Cetera and Grant play a couple of sad sacks who’ve been unlucky in love, and who are now considering taking a chance on each other. “Next Time I Fall,” Peter Cetera and Amy Grantįormer Chicago frontman and unrepentant balladeer Peter Cetera joined forces with then-unknown Contemporary Christian artist Amy Grant for this 1986 chart-topper. “You will always be my endless love,” they sing, clearly unfazed by the prospect of eternity. Then he and Diana Ross sang the sucker like a still-smitten married couple enjoying a candlelight dinner away from the kids. Writing on assignment for the Brooke Shields film Endless Love, Lionel Richie outdid himself with a gorgeous melody and tender set of lyrics. The single spent a whopping nine weeks atop the charts-and for good reason. “Endless Love” enjoyed a seemingly endless reign at No. “Endless Love,” Diana Ross and Lionel Richie As listeners everywhere daydreamed about being whisked away from their boring jobs by attractive suitors, the single shot to No. This soaring, syrupy ballad plays over the closing credits of the 1982 film An Officer and a Gentleman, right after Richard Gere’s character surprises his girlfriend (Debra Winger) at her factory job and carries her out of the building. “Up Where We Belong,” Joe Cocker and Jennifer Warnes Everyone could imagine Kenny and Dolly rowing off into the sunset together. 1 on the Hot 100, Hot Country Songs, and Adult Contemporary charts. But there’s no denying the chemistry between Kenny Rogers and Dolly Parton on this sweet and easy 1983 rendition, which reached No. The Bee Gees wrote “Islands In the Stream” for Marvin Gaye, who probably would’ve done a killer version. “Islands in the Stream,” Kenny Rogers and Dolly Parton In the end, Cash and Carter sing, “We’re going to Jackson,” implying they’re sticking together-or else taking a road trip to see who’s right. Carter laughs off his threats, certain the ladies of Jackson will play him for a fool. While Cash spends much of “Jackson” singing about how he’s heading to the titular city to carouse with other women, the whole thing feels like playful fantasizing. Johnny Cash and June Carter were about a year away from getting hitched when they released this 1967 song about a married couple who lost their spark. In the first verse, an innocent Grande asks for something more than physical pleasure, to which the wolfish Weeknd responds, “I know your motives, and you know mine.” This relationship is doomed to fail, but at least they’re going to have some fun first. Shadowy R&B innovator The Weeknd scored his first-ever Top 10 hit on the Billboard Hot 100 with this double-entendre-packed 2014 collaboration with Ariana Grande. “They won’t get you like I will,” Drake promises on this 2012 smash, which is built around a club-ready sample of Jamie xx’s remix of Gil Scott-Heron’s “I’ll Take Care of You.” Drizzy’s real-life on-again, off-again love interest Rihanna doesn’t get her own verse, but she steals the show in the choruses, following Drake’s fitful rhyming with a simple declaration: “I’ll take care of you.” It’s a bright-eyed, uptempo celebration of love that transcends distance, geography, and inclement weather. Written by the husband-and-wife team of Ashford and Simpson, 1967’s “Ain’t No Mountain High Enough” marked the beginning of Gaye and Terrell’s fruitful partnership. As far as duets go, Marvin Gaye was never better than when he was singing with Tammi Terrell.
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